Óleo en Madera Mus??e Fabre, Montpellier
el Petróleo mk65 en la lona transferida de pone panel 84x40
C. 1760 Petróleo en la lona, 37 X 34 cm
Engrasan en la madera
Lorenzo Lotto
Venus y Cupido
Venus and Cupid
Pintura identificación:: 32560
mk79 acerca de 1530
mk156 1509 Engrasan en la lona transferida de la madera 213x102cm
mk170
circa 1530
oil on wood
82.1x55.8cm
mk219
17.5x17cm
1924
1521 Panel, 36 x 32,5 cm
mk276 1540 Oil on canvas 147 x 117cm National Gallery, London
mk276 Oil on canvas
oil on canvas painting by Battista Dossi
Date second half of 16th century
Medium Oil on wood
cjr
Around 1606-1611
Medium Oil on canvas
Dimensions Height: 137 cm (53.9 in). Width: 111 cm (43.7 in).
cjr
Oil on canvas. 72 x 97 cm.
Date c. 1700
cyf
1509(1509)
Medium Oil on canvas transferred from wood
Dimensions Height: 213 cm (83.9 in). Width: 102 cm (40.2 in).
cyf
between 1532(1532) and 1534(1534)
Medium oil on panel
cyf
oil on canvas
Dimensions 31,8 x 46,4 cm
cjr
circa 1630(1630)
Medium oil on canvas
cyf
BRAMANTE
Venus and Cupid
Pintura identificación:: 97947
Oil on Canvas. Found in Germany after the Second World War. Accession number: 1867 or MNR 16
cyf
1545(1545)
Medium oil on panel
cyf
Maarten van Heemskerck (1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World.
He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem.
His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.
Related Paintings to Maarten van Heemskerck :. The Young Schoolmistress Communion with the Infinite (mk19) Little Marauders (mk26) Sexy body, female nudes, classical nudes 73 The Song of the Lark
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